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Sample Track 1:
"Michael Kennedy Schottisches: Untitled/ Untitled/ Pretty Molly Brannigan" from The Dark of the Moon
Sample Track 2:
"Michael Kennedy Jigs: Untitled/ Untitled/ Haste to the Wedding" from The Dark of the Moon
Sample Track 3:
"The Cuckoo's Nest/ Fitzgerald's Hornpipe/ The Indian on the Rock" from The Green House
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"The Day I Met Tom Moylan/ Josie McDermott's/ The Colliers' Reel" from The Dark of the Moon
Sample Track 5:
"The Cat that Ate the Candle/ Petticoat Loop/ The Corry Boys" from The Dark of the Moon
Sample Track 6:
"Michael Kennedy talks about the Cuckoo's Nest" from The Green House
Sample Track 7:
"Michael Kennedy plays the Cuckoo's Nest" from The Green House
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Two folk-music acts offer diverse styles

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The Seattle Times, Two folk-music acts offer diverse styles >>

Ballard is the place for top-notch folk music this coming week as Metamora (formerly known as Dalglish, Larsen and Sutherland) performs at the Backstage and banjo-picker Cathy Fink plays the New Melody.

 

Metamora, at the Backstage, 2203 N.W. Market St., Monday at 8:30 p.m., has changed its name to signal the completion of a musical shift from traditional folk and Irish music to finely filigreed, new-age chamber music.  That development was presaged last year when Malcolm Dalglish recorded a crystalline, solo hammer-dulcimer album, “Jogging the Memory” for the new-age label Windham Hill, to be released in April.

 

Malcolm Dalglish and Grey Larsen first recorded together in 1977.  Their album, “Banish Misfortune,” became an instant classic in folk circles, where listeners were beginning to demand innovative, chamber-orientated arrangements rather than faithful recreations of traditional music.  With the addition of Pete Sutherland in 1982, the group has played clubs and festivals all over North America and been featured on National Public Radio’s “Prairie Home Companion” and “All things Considered.”

 

Metamora’s finely finished musicianship on a panoply of instruments – fiddle, hammer dulcimer, piano, guitar, concertina, flutes – plus a knack for arranging has made it a leading group in New Acoustic Music.  At times, the fresh-faced threesome radiates more wistful sweetness and light than is credible, but in general, Metamora’s palette of dance-hall tunes, reels, ballads, and even a chorale, makes a fetching picture indeed.

 

No such arty impressionism haunts the old-time music of champion banjo-picker Cathy Fink, out from Washignton, D.C. for a solo performance at the New Melody Tavern, 5213 Ballard Ave. N.W., tomorrow at 9 p.m.

 

Fink is a better-than-bluegrass folky who plays fiddle, guitar and banjo on a satisfyingly eclectic range of country songs, western swing, jazz hits of the ‘30s and ‘40s, voiced alto with a tender but firm delivery, Fink’s in-concert yodeling lesson and good humored stage presence have made her a favorite in the Northwest.  Her most recent album, “The Leading Role,” features a gorgeously stark banjo and vocal tune, “Where the Wild, Wild Flowers Grow,” Ferron’s haunting waltz, “The Return,” and a self-penned caveat to the make folkies in the audience, “Little Darlin’s Not in My Name.” 02/28/85
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