Gaby Kerpel fans take note—yet another cosmopolitan Argentinean, this one a São Paulo-based percussionist, doing the ethnotechno dance with yet another cache of field recordings. Difference is, Musotto shows no interest in conventional songs as he fuses berimbau, cuíca, Pro Tools, and such to a children's chorus, a bottle man's cry, authorized secret recordings of a warrior tribe, and several helpings of Candomblé. Most percussion records are too abstract, just like most techno records. These beats and textures are the lingüiça in the feijoada. A MINUS

--Robert Christgau