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Sample Track 1:
"Diamond Fingers" from Guitar Fö
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"Ikanam Minala" from Guitar Fö
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Concert Review

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Washington Post, Concert Review >>

Poor Bembeya Jazz. This recently reunited group from Guinea has long been hailed as one of Africa's greatest dance bands. Thus, its D.C. appearance should have been as triumphant as the recent appearance by fellow comeback vets Orchestra Baobab. Unfortunately, lack of publicity for the event and sound system delays at Kili's Kafe meant that the eight-piece group played before only about 60 people late on Saturday night (actually, 2:30 Sunday morning). Those individuals were rewarded for their patience though with a fine show that lived up to the hype.

Led by original guitarist Sekou "Diamond Fingers" Diabate, Bembeya Jazz merged homegrown Manding region arrangements in which chordal patterns repeat cyclically, with Congolese and Cuban accents. Despite having a smaller membership than in its '60s and '70s prime, the current version had a remarkably full sound. On "A Koukou We" M'bemba Camara's vocals ecstatically soared atop swirling, high-pitched polyrhythms, courtesy of two guitars, bass, conga and drums. Intermittently through that cut and others, the two-piece horn section sweetened the sound even further.

While the group sounded strongest on such upbeat cuts, the musicians showed their range of talent by also playing the melancholy "Doni Doni" with its dulcet soprano sax solo responded to by guitarist Diabate. The focus of the group, he could teach Eric Clapton a thing or two. Whether propelling "Sabou" with skittering lines, or coaxing out a spectrum of sounds on showcases from his new "Guitar Fo" CD, Diabate beautifully served the songs with very little self-indulgence.

 04/05/04
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