In Amassakoul (World Village; 2003), Tinariwen assail us with Malian melodies, raw vocals, female choral contributions and low-slung guitar as pioneered by Mali’s best, Ali Farka Toure. The clap-along appeal form the body of their work while the songs refer to the struggle of the Touaregs – traders and cattle breeders – for self-determination. It is an album that not only instructs and informs but – in the days of false music and heroism – enriches.