VARIOUS

World 2004

Wrasse 123

Another year, another world music sampler compiled by English DJ/journalist Charlie Gillett.  While it’s important to realize these collections are the product of one man’s taste and vision and are not definitive, there is certainly enough diversity offered in this two-disc set that most anyone will find at least a few tracks appealing. 

            This time Gillett presents a fair amount of ethnic music supported by electronic rhythms, a good number of international/multi-cultural collaborations, and even tracks from performers who present their music without any 21^st Century production frills.  I’ve got to admit that of the 32 tracks offered here, it’s the ones without a lot of obvious studio tracks that I’ve enjoyed the most. 

            For example, Dona Rosa is a veteran fado singer from Lisbon with a rough voice who brings a bluesy edge to “Resineiro (Gum Collector).” Dona is supported by the simple, yet effective combination of accordion and acoustic guitar.  Tango Lorca (from Kansas City!) brings the finesse of classical music to a pop dance form on “Milonga de Mis Amores.” I was also enchanted by Malian guitarist Idrissa Soumaoro who presents some tasty acoustic picking and fine singing on “M’Ba Den Ou.”

            On the more electric side, there’s a track from Tinariwen, the amazing Malian desert blues band. A fascinating multi-cultural collaboration is provided by Gilad Atzmon and the Orient House Ensemble.  Atzmon is an Israeli saxophonist and clarinetist now based in London who teamed up with Palestinian vocalist Reem Kelani and other musicians.

            There’s not enough space to describe all of what you’ll find on this two-disc set.  Consider World 2004 as a sampler of global sounds and a good place to start your own investigation of world music.
– Ken Roseman