Sussan Deyhim
Madman of God
Crammed/ Rykodisc


Azam Ali
Elysium For the Brave
Six Degrees

Two women, both Americans of Iranian descent, both inspired by ancient music of their heritage (and beyond) but very much of the hereand now, amazing singers who use their voices as instruments along with the conveyance of words (which can get in the way, sometimes). NYC-based Sussan Deyhim gives voice to traditional (11th and 12th century) Persian love poetry, her husky multi-octave, overdubbed voice (an orchestra in itself) soaring, rhythmically jabbing, and undulating passionately amid swirls of percussive sounds from the Middle East, North Africa, and India. Jazz bass virtuoso Reggie Workman and percussion masters GLen Velaz and Karsh Kale contribute to the other-wordly (well, to most American ears, anyway) heady tempest that is Madman of God.
Los Angelino Azam Ali's Elysium is superficially similar, but its wider sonic palette (varied world/ethnic strains, bit more of a "pop" feel) and sleek, pulsating electronic cadences will likely elate those still pining over the breakup of Dead Can Dance.
Both are highly recommended: Madman for the seasoned adventurous listener, Elysium for electronica fans and the world music neophyte. (Btw, Ms. Ali's voice you may've already heard via the soundtracks to Matrix Revolution and TV's Alias.)