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Sample Track 1:
"Mhinduro" from Tsimba Itsoka, Oliver Mtukudzi
Sample Track 2:
"Kumirira" from Tsimba Itsoka, Oliver Mtukudzi
Buy Recording:
Tsimba Itsoka, Oliver Mtukudzi
Layer 2
CD Review

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Cosmos Gaming, CD Review >>

Zimbabwe native Oliver Mtukudzi is back with his newest spin on traditional African and World music. Tsimba Itsoka, which translates to no foot, no footprint, is a mix of gentle and up-tempo songs that mix in African singing with traditional instrumentals a mix of Western influence. The result is an album that feels undeniably African but is different enough to help Mtukudzi’s music gain even wider appeal.

It is somewhat stereotypical to imagine tribal drums and chants when imagining some African variations of World music, but the songs on Tsimba Itsoka actually have a variety of sounds, sometime mixing in jazz compositions with traditional world music. Mtukudzi’s focus on this album was to create soothing tracks that have just enough tempo and interesting elements to keep things moving along. Some listeners may become bored due to the lack of variation in styles and typically slower tempos, but those who sit back and soak in the atmosphere of each song will come out having enjoyed the experience.

Although all of the songs are sung in their traditional language (Ed. note: I can’t remember offhand what language is spoken in Zimbabwe), but the album booklet explains the particular themes each song is meant to express. There is both female and male singing, and both are extremely enjoyable to listen to. On one of the songs you can hear the male singer cough, giving the impression that this album could’ve been recorded live. The vocals match up well with the gentle and subdued instrumentals, creating a great result.

Tsimba Itsoka may be too slow moving an album for some people, but listeners who enjoy African music or music with a slower beat and gentle atmosphere will greatly appreciate this release. By adding in some elements that aren’t often heard in African songs, Mtukudzi has created an album that is intriguing both thematically and instrumentally. Listeners should approach with an open mind, as that is the key to appreciating this piece of work.

By Chris Dahlberg

 09/04/07 >> go there
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