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Sample Track 1:
"Papa Ndiaye" from Orchestra Baobab
Sample Track 2:
"Lua" from Mayra Andrade
Sample Track 3:
"Chirimbolos" from Fernando Otero
Sample Track 4:
"Gola Ampla" from Miguel Gil
Sample Track 5:
"Decollage" from Bajofondo
Sample Track 6:
"Auxili" from Llibert Fortuny
Sample Track 7:
"Bel Turbant" from Arab Orchestra of Barcelona
Sample Track 8:
"Amor Del Bueno" from Ramon Cordero (with Edilio Paredes on guitar)
Layer 2
Chicago's Unique Public Plaza Comes to Life on a Global Scale

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All About Jazz, Chicago's Unique Public Plaza Comes to Life on a Global Scale >>

In the heart of Chicago lies an oasis. This is no desert oasis-it won't disappear before your eyes, there's no sandy grit, and it has as much replenishment for a thirsty mind as it does for a thirsty body. It's Millennium Park, a space created in the busy downtown hub that was designed with Chicago in mind. Until its completion in 2004, there was no recognizable public space in Chicago comparable to the great plazas and squares of European or Mexican urban areas that bring people together and capture a city's unique personality. The lush landscaping, artistic features, world-class architecture, and live music performances work together to provide Chicagoans a place to interact with each other and the world.

One of the highlights of the Park is the Jay Pritzker Pavilion, named after a prominent Chicago businessman and designed by famed architect Frank Gehry. The billowing steel structures that rise up from the stage area reach out to a 4000-seat sitting area encircled by a 7000-capacity lawn. The steel trellises that gracefully hover over the audience area support a pioneering state-of-the art sound system designed to mimic the acoustic quality of an indoor venue and ensure that those sitting farther away from the stage area and even on the lawn hear the performance just as well as those with a front-row seat. Michael Orlove, senior program director of Chicago's Department of Cultural Affairs, calls the Pavilion a “small-big venue," capable of creating an intimate experience for the assembled masses despite its capacity. Yet it's more than just interesting architecture; it's an aesthetic vision that seeks to maximize access and minimize the logistical obstacles to a public's high-quality experience of the varied performers the venue presents. This vision is matched by the free programming of the venue, a rarity in the industry.

The Music Without Borders series, now in its third season, transforms the Pavilion into a global launching pad. The string of performances brings the world to Chicago in themed concerts. The array of music and cultures represented provide residents the opportunity to experience sights and sounds they may not have experienced before-or perhaps have overlooked in their own neighborhoods. Orlove explains: “We're presenting performers that can easily extend into any of the dozens of communities here in Chicago." It fosters a unique connection to Chicago by mirroring the depth of the city's demographic. While local performers are often highlighted at the venue in other Pavilion series, some performers use Music Without Borders to launch their US tour, as a US debut or even a world premiere.

The series kicks off with a celebration of Catalonian culture on June 19 at 6:30 pm. While Spain is represented in many people's minds by flamenco or paso doble, there's much more than meets the eye. Catalonia has a rich tradition and a distinct culture in the northeastern region of the country. One way it shows is through the language, and in that evening's performances alone, listeners will hear at least four languages other than Spanish. Singer-guitarist Miguel Gil, well-known back home, will be performing in both Catalan and Valenciano, a local dialect. Also featured will be Maria del Mar Bonet, a famous Catalonian chanteuse who Chicago welcomes back after her performance at the World Music Festival five years ago. She performs a range of musical styles spanning several decades, and began her career singing protest songs. She performs in Catalan and Mallorcan-forbidden during Dictator Francisco Franco's time-and is so beloved that she's become known as the voice of Catalonia. Also performing that evening will be The Arab Orchestra of Barcelona, a symphonic contribution highlighting the region's Middle Eastern flavor. Representing the region's recent immigrant heritage will be Nino Galissa, a North African arrival to Catalonia who is a kora (African harp) master. Saxophonist Llibert Fortuny rounds out the evening with his contemporary, jazz-infused take on Catalonian culture.

Millennium Park's Music Without Borders series includes six concerts in total. All events are free and open to the public. Here is the full schedule:

Thursday, June 19:
Miquel Gil and the Arab Orchestra of Barcelona/Maria del Mar Bonet
6:30 PM - 8:00 PM
FREE - Jay Pritzker Pavilion

Thursday, June 26:
The Bachata Roja Concert: Unsung Heroes, Rediscovered Icons, with Mayra Andrade
6:30 PM - 8:00 PM
FREE - Jay Pritzker Pavilion

Saturday, June 28:
Orchestra Baobab
8:30 PM - 10:30 PM
FREE - Jay Pritzker Pavilion

Thursday, July 10:
Sudanese Music and Dance Festival
6:30 PM - 8:30 PM
FREE - Jay Pritzker Pavilion

Thursday, July 17:
Pitchfork Music Festival Preview Night
6:30 PM - 8:30 PM
FREE - Jay Pritzker Pavilion

Wednesday, Aug. 27:
Bajofondo Tango Club, with Fernando Otero
6:30 PM - 8:30 PM
FREE - Jay Pritzker Pavilion

 06/03/08 >> go there
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