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Sample Track 1:
"Leva-me Aos Fados" from Leva-me Aos Fados
Sample Track 2:
"Na¦âo E¦ü Um Fado Normal" from Leve-Me Aos Fados
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Leva-me Aos Fados
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CD Review

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The Whole Music Experience, CD Review >>

In review--Ladies Sing the Blues

Ana Moura

Leva-Me Aos Fados
World Village

Portuguese fado has been labeled the blues of Portugal. Many years ago Mariza, then a rising international star, captivated my ears and turned me onto fado. I had heard archival fadistas prior to that, but hearing modern interpretation of Portuguese blues sung by a contemporary fadista blessed with a vocal and emotional range felt like a real pleasure. Since those fateful moments when Mariza’s fados found my willing ears, I have enjoyed albums by numerous fadistas, most of them sopranos and all of them representing a new generation of fado superstars.


I had seen Ana Moura’s name around, but I’m only getting on board now with her newest CD, Leva-Me Fados. A contralto, it took me a few minutes to adjust to her voice, since most of what I’ve heard so far in the world of fado has been sung by mezzo-sopranos and sopranos. Moura opens with the title track and she reminds me a horse leaping out of a start-up gate. It’s not exactly an off-to-the-races moment, but Moura sings from a place of power and passion. The traditional musical arrangements are sure to please the fado veterans that took Moura under their wings, early in the vocalist’s career. In fact, this recording reminds me of the archival fado recordings I discovered back in the 1990s—back when few Americans outside the Portuguese immigrant communities knew about this vocal genre. Yet anyone who believes in fate or expresses healthy emotions would have fallen in love with artists such as Mariza and Moura even back then.


Listening to Por minha conta (track 3) it’s easy to see why rock and pop musicians fell in love with Moura’s vocals, or why the fado veterans nurtured the young vocalist’s career. She’s young and from another era, but she sings with gusto and all that she is worth. It would not be unheard of to feel authentic emotions and wipe tears from your eyes while listening to this particular track. And you don’t even need to know the English translation of the text. (English and other language translations of the text appear in the liner notes).


Similar to the flamenco diva that takes us to duende or the blues singer that causes us to feel emotions deep down in our bones, Moura awakens dormant feelings. The 17 tracks provide an emotional map for this musical journey. I just can’t imagine anyone not enjoying the immense pleasures this album provides. And if you’re like me, pick up fado recordings by Mariza, Cristina Branco, Joana Amendoeira and other singers of fate and enjoy a music festival in your home.

 03/29/10 >> go there
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