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Sample Track 1:
"St. Vincent's "The Neighbors"" from Actor
Sample Track 2:
"The Avett Brothers' "Incomplete and Insecure"" from I And Love And You
Sample Track 3:
"Natacha Atlas's "I Put a Spell on You"" from Ayeshteni
Sample Track 4:
"Roberta Flack's "Compared to What"" from First Take
Sample Track 5:
"The Swell Season's "In These Arms"" from Strict Joy
Sample Track 6:
"Greg Brown's "Evening Call"" from The Evening Call
Sample Track 7:
"Konono No. 1's "Mama Na Baba"" from Live at Couleur Café
Sample Track 8:
"Naomi Shelton & The Gospel Queen's "I'll Take The Long Road"" from What Have You Done, My Brother?
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Concert Review with Video

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National Geographic, Concert Review with Video >>

JULY 28, 2010

Scenes From The Calgary Folk Festival: : Konono No. 1

Nat Geo Music Features Performances From Canada's 2010 Calgary Folk Festival All This Week

The 31st Annual Calgary Folk Music Festival was held this past weekend on Canada's Prince's Island in downtown Calgary, Alberta.

Over 64 groups from around the world performed for over 12,000 people daily from July 22nd through the 25th.

Nat Geo Music is showing performances from the festival all week long.

Here Congolese outfit Konono No. 1. opens the main stage on the final night of the festival, Sunday, June 25th.

Konono N°1's Congotronics album introduced the world to the strange and spectacular electro-traditional mixtures which are being concocted in the suburbs of Kinshasa, Congo. World music, electronica and avant-rock aficionados have all been equally amazed by this otherworldly music, which has driven the international press to come up with some surprising comparisons (from Can and Krautrock to Jimi Hendrix, Lee Perry and proto-techno!...).

The band was founded back in the 1960s by Mingiedi, a virtuoso of the likembé (a traditional instrument sometimes called "sanza" or "thumb piano", consisting of metal rods attached to a resonator). The band's line-up includes three electric likembés (bass, medium and treble), equipped with hand-made microphones built from magnets salvaged from old car parts, and plugged into amplifiers. There's also a rhythm section which uses traditional as well as makeshift percussion (pans, pots and car parts), three singers, three dancers and a sound system featuring these famous megaphones.

The musicians come from an area which sits right across the border between Congo and Angola. Their repertoire draws largely on Bazombo trance music, but they've had to incorporate the originally-unwanted distorsions of their sound system. This has made them develop a unique style which, from a sonic viewpoint, has accidentally connected them with the aesthetics of the most experimental forms of rock and electronic music, as much through their sounds than through their sheer volume (they play in front of a wall of speakers) and their merciless grooves

Konono are currently on tour in North America this summer.

 07/28/10 >> go there
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