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Sample Track 1:
"Electric Pow Wow Drum" from A Tribe Called Red
Sample Track 2:
"Native Puppy Love" from A Tribe Called Red
Sample Track 3:
"Get Tribal" from LightningCloud
Sample Track 4:
"Zoom" from LightningCloud
Sample Track 5:
"Irresistible" from Moe Clark
Sample Track 6:
"Intersecting Circles" from Moe Clark
Sample Track 7:
"Rez Blues" from Murray Porter
Sample Track 8:
"Set My Love Free" from Murray Porter
Sample Track 9:
"It's Simple" from Samantha Crain
Sample Track 10:
"Songs In The Night" from Samantha Crain
Sample Track 11:
"Blood - Auk" from Tanya Tagaq
Sample Track 12:
"Fire - Ikuma" from Tanya Taguq
Sample Track 13:
"SEDA" from Zuzuka Poderosa & Kush Arora
Sample Track 14:
"Pyar Baile" from DJ Rekha & Dave Sharma (feat Zuzuka Poderosa & Meetu Chilana)
Layer 2
Interview

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CBC, Interview >>

Do you ever wonder when people like Nicholas Galanin have time to sleep? He plays in two very different genres, organizes a music festival and is a visual artist by day, with a current stint as a guest professor at the University of Victoria — when he’s not at home in Sitka, Alaska.

Galanin, who is only 33, will find time in his hectic schedule to travel to Winnipeg for Aboriginal Music Week, taking place Oct. 30–Nov. 4. His band Silver Jackson will take the stage and open for Juno winner Murray Porter on Nov. 2.

CBC Music spoke to Galanin about the upcoming show, and what the difference is between Silver Jackson and his other group, Indian Nick.

Q. Will this be your first time playing in Winnipeg?

A. Yes! I am very excited to see Winnipeg and experience this wonderful festival, the lineup looks amazing! I organize a festival in Alaska called HomeSkillet Fest, so I know how important these events are to the community, how much fun they can be and how much blood, sweat and tears can go into organizing such an event.

Q. Your work with Silver Jackson is quite a departure from your alter ego, Indian Nick (described in your bio as "politically charged hip-hop"). Why have you gone from hip-hop to something decidedly more experimental?

A. Hmm. What if Indian Nick was a departure from Silver Jackson? What if they meet in the studio from time to time? Silver Jackson projects have been around much longer than Indian Nick; I am currently working on new projects for each. I love music and creating music, I have never set out to make a certain style or genre of sound. As long as I keep my doors creatively opened, I happily surprise myself with the outcome.

Q. Do you worry about having to build a fan base up when you switch genres like that?

A. No, I think the best fan base is one that allows an artist to move freely. I am a visual artist by profession and have worked very hard in developing a diverse portfolio. I believe that one exciting aspect of creating is keeping the audience curious.

Q. What can the audience expect at a Silver Jackson show?

A. I am working with two amazing musicians, Zak Dylan Wass on vocals and guitar and Ed Littlefield on drums — both musicians are world class! Our shows are a lot of sweaty fun! Great original music and varied energy levels. Plus babies may or may not be conceived on Nov. 2. Expect my drummer to remove his shirt and my guitarist to kick a chair. I think you have to come out to see what it is all about, it will be a great time!

Q. For Aboriginal Music Week, there are five nights, 12 shows and 34 bands. Why should people come to see your show?

A. Because you love great music! Plus, we are travelling all the way from Alaska to be with you, we will be performing some new music off my new album I am currently recording as we speak. Come see something new and meet myself and my wonderful bandmates. Plus, Murray Porter will be performing after us. I am looking forward to seeing his show.

 10/02/12 >> go there
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