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Sample Track 1:
"Electric Pow Wow Drum" from A Tribe Called Red
Sample Track 2:
"Look At This" from A Tribe Called Red
Sample Track 3:
"Sowa" from Fatoumata Diawara
Sample Track 4:
"Track 1" from Kayhan Kalhor and Erdal Enzincan
Sample Track 5:
"Track 2" from Kayhan Kalhor and Erdal Enzincan
Sample Track 6:
"Con Dinamita" from La Shica
Sample Track 7:
"Limonsna de amores" from La Shica
Sample Track 8:
"Tout Est Fragile" from Lo'Jo
Sample Track 9:
"The Garden of Love" from Martha Redbone Roots Project
Sample Track 10:
"Hear the Voice of the Bard" from Martha Redbone Roots Project
Sample Track 11:
"Origin 5 - Minuit aux Batignolles" from Stephane Wrembel
Sample Track 12:
"Boss Taurus" from Mucca Pazza
Sample Track 13:
"Touch the Police" from Mucca Pazza
Sample Track 14:
"Ziwere - Mahube featuring Oliver Mtukudzi" from Oliver Mtukudzi
Layer 2
Festival/Artist Mention

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The New York Times, Festival/Artist Mention >>

A Tribe Called Red That the global bass music diaspora would eventually visit the music of American Indians is no surprise. That it has happened with such ferocity and compatibility in the music of A Tribe Called Red is welcome. This Canadian trio - Bear Witness, Dee Jay NDN and DJ Shub - specializes in a simple but effective hybrid of the more urgent end of electronic music with pow wow music, the traditional drumming and singing of various American Indian tribes. The hypnotic qualities of both make a slick pair. The group's new EP, "Trapline," like its self-titled debut album from 2012, is infectious, and available free on its SoundCloud page. The new songs are a bit more polished, lightly de-emphasizing the traditional source material in favor of more digital thump, as on "Unlimited Trap" or "No One Out Can Compete," which molds its hook from a KRS-One sample. The group also uses its music to advocate for indigenous peoples' rights, and occasionally repurposes samples from discriminatory film portrayals. It plays Jan. 13 at Webster Hall as part of GlobalFest. 01/06/13 >> go there
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