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Sample Track 1:
"Life Is For Every Man" from Brushy One String
Sample Track 2:
"Chicken In The Corn" from Brushy One String
Sample Track 3:
"Alili" from Fanfare Ciocarlia
Sample Track 4:
"Que Dolor" from Fanfare Ciocarlia
Sample Track 5:
"Arijal Allah Moulana" from Hassen Hakmoun
Sample Track 6:
"Arijal Allah Moulana" from Hassen Hakmoun
Sample Track 7:
"El Hadia" from Hassen Hakmoun
Sample Track 8:
"Lightswitch" from KiT
Sample Track 9:
"Maria Ta Jora" from KiT
Sample Track 10:
"Mambo Mexicano" from Sergio Mendoza y la Orkesta
Sample Track 11:
"Monkey Fight Snake" from The Bombay Royale
Sample Track 12:
"You Me Bullets Love" from The Bombay Royale
Sample Track 13:
"Muckrakers" from Wu-Force
Sample Track 14:
"Samar" from Yasmine Hamdan
Sample Track 15:
"Ya Nass" from Yasmine Hamdan
Layer 2
Festival Review

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Chicago Reader, Festival Review >>

By Peter Margasak

On Sunday night I attended Globalfest, which offers the same kind of smorgasbord for world music on three stages in the giant Webster Hall. All of these events are organized to coincide with the annual APAP conference—an industry gathering of the Association of Performing Arts Presenters, in which presenters, curators, and programmers talk shop and check out artists who want to be booked or hired by them. Naturally, most of the artists have commerce in mind and have sharpened their act to broaden their appeal, which means the showbiz hokum of the Australian group Bombay Royale—with its jacked-up take on Bollywood brass music—was gag inducing. While the great Romanian brass band Fanfare Ciocarlia has honed its stage show over the years and settled into a somewhat predictable consistency, they still killed it, delivering some the most energetic and fun music I heard all weekend. I also enjoyed the buzzing Mauritanian chants of Noura Mint Seymali and the Caribbean grooves of Kuenta i Tambu (a Dutch group with roots in Curaçao), while Wu-Force—a promising new trio featuring banjo explorer (and Evanston native) Abigail Washburn, Chinese guzheng virtuoso Wu Fei, and multi-instrumentalist Kai Welch—either hadn't gelled yet or hadn't figured out what it was trying to do, although I'm betting it will with some time.  01/17/14 >> go there
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