Salvaging sacred music in Syria

As the horrifying actions of the Islamic State of Iraq and Greater Syria (ISIS) reached mainstream consciousness last month, I found myself driving my car angry and unsettled. The gravity of this situation defied my capacity for understanding. Then the NPR station I had on played some modern-day Syrian men singing the Lord’s Prayer in ancient Aramaic, and I lost it.

That afternoon, the deeply spiritual power of music came in the form of ancient Christian chants. These had been recorded by punk rock drummer Jason Hamacher on location in Aleppo, Syria, just before the civil war broke out. I had known Hamacher years ago as the drummer for Frodus and other post-hardcore bands. But here he was, on NPR’s Fresh Air of all places, talking about Syriac hymns, an abducted Orthodox bishop and all hell breaking loose in the Middle East. I honestly had to pull over and catch my breath.

It started with a simple enough idea. Years after Frodus disbanded, Hamacher and a few musical friends cooked up an idea to find some ancient chants and work them into a modern musical setting.

“We were all believers from different faith traditions,” Hamacher explained to me in a phone interview. “We wanted to do something that we thought was cool. Something that had do with faith, but wasn’t a band.”

The original vision was to form an “orchestra of friends” that could do something creatively engaging and spiritually satisfying. They settled on the idea of each finding a different ancient chant to use as a musical jumping-off point.

Hamacher remembered a travel book he had read several years earlier called From the Holy Mountain, by William Dalrymple. The book included a description of the world’s oldest Christian music in the deserts of Syria. Hamacher’s search for that music eventually lead him to an email address for the Syrian Orthodox Church in America. The Archbishop of the Syrian Orthodox Church responded, but told Hamacher that no recordings of that particular music existed.

“In 1,800 years you never managed to record it?” he asked incredulously. “Would you like me to record it for you?”

Thus began a musical, cultural and devotional journey that would take Hamacher to Aleppo several times before the war. He set up recording gear in ancient cathedrals and hallways and documented Christian songs that go back well over 1,000 years. Some may have even been originally composed in the first century following the death of Jesus.

That afternoon, the deeply spiritual power of music came in the form of ancient Christian chants.

Hamacher was warmly welcomed by the archbishop in Aleppo and spent time living at the church, recording the ancient songs and photographing Orthodox life in one of the capitals of the Islamic world. Since then that archbishop has been abducted by rebels and many of the buildings Hamacher photographed have been reduced to rubble.