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"Arizona" from Ma Maren Ma
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CD review

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The Duchess insists this guy sounds drunk. He does have a warble to his voice and a certain anguished quality, but wouldn't you if you lived in Bulgaria? Gypsies all over Europe are emerging from the shadows in the post-Soviet, post-Yugoslav civil war era. Sofia is one of the grimmest spots. In 1969 I was detained by the Bulgarian border guard for having long hair, suspected of being an anarchist. After a haircut with a pair of tiny manicure scissors which made me look like an escaped mental patient, I was allowed to continue my journey, hitch-hiking across their beautiful country. It was hard to even get bread in Sofia, everything was rationed. It was the greyest place I'd ever been. As there was nothing else to buy, and it was cheap, I purchase a lifesized oil painting of V.I. Lenin and he became my roadside companion as I hitched back across Europe. All of which is beside the point, except to stress what a harsh background this group comes from.

 

I really like the opening track with its accordion and violin interrupted by a hot lead guitar, and trembly backing vocals. Clarinet introduces a flamenco-style guitar and then ceramic drums take us into a fast number called "Godzilla." Most of the tracks feature what you'd expect: typical Rom riffs, but the accordeon and guitarist are both fine musicians. Iliev has a husky scruffy quality to his voice which is appealing. The sax player does well on the title cut while the guitarist creates some inventive wah-wah waffle in the background. I imagine this band will improve with age but it's a good debut and bound to please fans of traditional gypsy music. It gets a little gypsy-kitsch at times but manages to keep it together, ending with an instrumental version of the title cut where the musicians get to stretch out once more.

Copyright © 2003 by Alastair Johnston. Feel free to forward to friends but please respect my copyright and ask before reprinting. 06/01/03
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