To listen to audio on Rock Paper Scissors you'll need to Get the Flash Player

Sample Track 1:
"Bembeya" from Bembeya
Buy Recording:
Bembeya
Buy mp3's:
click here
Layer 2
Bembeya Jazz

Click Here to go back.
The Japan Times, Bembeya Jazz >>

The Buena Vista Social Club phenomenon has spread to Africa, but with a difference. Re-emerging African bands also spent years in recording exile, but returned less with a sense of unclaimed historical import than with a readiness to hit the dance floor. The latest rediscovery is the intense Afropop of Bembeya Jazz. Their new release, titled "Bembeya," relies on complex rhythms that quickly cut through any ering nostalgia.

BY Michael Pronko

Bembeya Jazz was one of the first groups to rise to prominence in Guinea after it gained independence. Many African states in the early 1960s made it a priority to support indigenous art forms as the countries swung from colonialism toward their own style of nationalism. Music was an essential part of that transformation, with big, new bands blending traditional elements into an electric setting. They not only expressed the sense of an emerging culture, but also got potential voters out and dancing. In this era, Bembeya Jazz became one of the most popular groups in West Africa.

In the 1980s, however, after economic downturns, the bands were denationalized, forcing players to find their own sources of funding. Keeping a large, touring dance band together became nearly impossible. Without exposure to the international market, many African acts found it hard to make ends meet. Bembeya's lead guitarist, Sekou "Diamond Fingers" Diabate, was one of the few to survive on his fame - which secured him work with other groups in Africa and Europe - after the group split up in 1988.

Then a French producer, who was deeply impressed by the opener of their European reunion tour two years ago, arranged their first recording session in 14 years. The group sounds as if they never took a break, playing like they did in the '60s and '70s, but with diverse new influences. The Guinean style of dance music is guitar-driven, with a light, skipping beat. The circling guitar lines seem to swirl under the vocals and horns, and float them in the air. The lively, masterful grooves the band creates sound as fresh as when, once upon a time, governments supported great music and independence was something to dance about.  06/18/03
Click Here to go back.