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CityPages Minneapolis, Feature >>
Kal: Kal, Boban Markovic Orkestar: The Promise
by Keith Harris
June 7, 2006
Kal
Kal
Asphalt Tango
Boban Markovic
OrkestarThe Promise
Piranha
When the Romanian rustics in Taraf de Haidouks hit WOMAD in '91, gypsy bands were a relative novelty on the world music circuit. Fifteen years later, discs of almost uniformly high quality glut a growing but not insatiable niche market for Balkan artists, as innovators like the fonky Haidouk-lings in Mahala Rai Banda and the electronically modulated ululators of the Shukar Collective stretch their elastic heritage. Bolstered by Western interest (and cash), these upstarts play largely for outsiders, but with a palpable hope that their neighbors, maybe even the youngest and most Europop-besotted among them, will overhear.
Kal ("black" in Romani) is one such pop move, the brainchild of a suburban Belgrade Serb who claims to hate synths yet love Manu Chao. And the mild contradictions of Dragan Ristic's taste in modernity do occasionally hobble his band. His vocals overgloop the emotive syrup, and at moderate speeds, producer Mike Nielsen's found or fabricated beats seem intended to nod the heads of Western world-folk fans rather than loosen the hips of Balkan ravers. But "Dvojka" shifts adeptly between a drum 'n' bass-style breakbeat and a more standard gypsy upbeat, and the up-tempo stuff here generally achieves that same successfully unfussy fusion—throughout the Romani skank "Papuska" and the frisky two-step "Mozzarella," and in the all-too-rare instances when Miroljub Ivanovic's tuba handles bass duties. 06/07/06 >> go there
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