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Sample Track 1:
"C'est l'heure pour changer - This is the Time for Change" from Grand Isle
Sample Track 2:
"Chatterbox" from Grand Isle
Layer 2
Feature

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My World Music Friends, Feature >>

Absorb, conquer, and rock. Louisiana’s Francophone communities have faced down exile and persecution, natural and manmade disaster, by remaining resolutely creative. Steve Riley & the Mamou Playboys know this creativity intimately; what fiddler and co-leader David Greely eloquently calls “survivor joy.” It has echoed for centuries in everything from aching solo ballads to swamp pop blasts and funkified two-steps.

Their latest album, Grand Isle calls on this joy and shows its defiant, resilient forms in all their glory, with help from producer, friend, and swamp-n-roll legend CC Adcock. They toss aside roots-music formulas to channel the energy of an entire community of multi-ethnic, hard-hitting eccentrics and activists, from a mad musical inventor of New Orleans to a pensive professor-lyricist, from a vintage recording guru to a bold local staging an oil spill photo exhibit in her dining room.

SRMP_GrandIsle “Cajuns possess the magic ingredient that is only produced by genuine suffering,” Greely explains. “Survivor joy can be found around the world, in the world's best music.”

This magic element has been in full force since the BP oil spill struck Louisiana’s coastal communities, which were still recovering from the double blows of Hurricanes Katrina and Rita. The outrage and the loss of a way of life loomed large in the Playboys’ minds as they worked on their first studio album in five years

July/August 2010 Thursday night concerts feature Parno Graszt (7/22), Natacha Atlas (7/29), Steve Riley and the Mamou Playboys (8/5), La Excelencia (8/12), the Jews on Vinyl Revue (8/19), and Kenge Kenge (8/26).

The open expanse of the Skirball Cultural Center’s courtyard looks peaceful nestled under the Santa Monica Mountains, but in summer, it bursts with the raucous and joyful noise of the best of the world’s musicians: Hungarian gypsies bang milk cans and Kenyan bards wield handmade fiddles, while nonagenarian Yiddish-singing piano bar veterans and soulful Cajuns, hip salsa activists, and trans-cultural divas rub shoulders with dancing neighbors of all generations, backgrounds, and lifestyles.

This fun-loving, open-hearted haven is the Skirball Cultural Center’s Sunset Concerts Series, one of Los Angeles’ rare opportunities to embrace local, community, and global possibilities in a welcoming outdoor setting designed for dancing, celebration, and engagement. In its fourteenth year, this free Thursday evening series (July 22–August 26) aims to connect people to one another by embracing a panoply of sound that spans the planet, with emphasis on L.A. and California debut performances.

“We’re always looking for the perfect outdoor concert,” says Sunset Concerts curator Yatrika Shah-Rais, the Skirball’s music director. “People like to be outdoors and move. So we offer something that people can get involved in and really dance to. It’s festive and boisterous.”

 02/08/11 >> go there
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