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CD Review
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Rootsworld, CD Review >>
David Krakauer
Live in Krakow
Label Bleu
Oi Va Voi
Laughter Through Tears
Outcaste
Solomon & Socalled
HipHopKhasene
Piranha (www.piranha.de)
These three CDs represent the very latest trends in contemporary Jewish
music, and to a certain extent all share common ideas and even similar
personnel across the recordings.
It seems odd to say that David Krakauer's latest, recorded with his Klezmer
Madness! group and sample maven Socalled, is perhaps the most traditional
of the music here. Krakauer's towering achievements on the clarinet in the
klezmer oeuvre are legendary, and he and the band really shine on this live
recording. The very first track, "Turntable Pounding," is pretty much
unbelievable. What starts as a slight hip-hop beat with Jewish chanting
swiftly turns into acid-funk, a great rumbling shuffling rhythm turned into
a nine-minute opus with searing electric guitar and Krakauer wailing above
the obvious excitement of the crowd. If Miles Davis' gut-bucket funk of "On
The Corner" converted to Judaism, this is what you'd get. The rest of Live
in Krakow mixes it up with traditional-type bulgar, some positively weeping
klezmer improvisation, and more funk-klezmer experimentation. Krakauer and
Klezmer Madness! make for a hot European night on the town.
Oi Va Voi's Laughter Through Tears was a bit of a disappointment at first,
since their demo recording Digital Folklore was a lively combination of
street breakbeats and club rhythms crossed with klezmer. Several tracks
from the demo made it onto this debut CD, such as "Od Yeshoma" and "7
Brothers." The key difference between the two recordings is polish. Oi Va
Voi did not seem to be out to make an album to burn up the dancefloor this
time around, but rather they have made a subtle and effective recording
that with repeated listening warmly reminds you of Massive Attack. Oi Va
Voi also picked up a new vocalist, KT Tunstall, to join them for this
record. On "Yesterday's Mistakes" KT's soothing voice alternates with a
(sampled?) Jewish cantor whose lament seems to come from the Yom Kippur
liturgy, a juxtaposition that initially sounds slightly off, but which later I found quite brilliant. Faster compositions appear towards the end of the CD, such as "D'Ror Yikra," showing that Oi Va Voi can really cook. A hidden track (a remix of "7 Brothers") absolutely smokes and the horn section has a glistening quality that sent goosepimples up and down my arms. The klezmer vibe is evident throughout Laughter Through Tears, but it is shot through with seductive world influences (such as reggae-klezmer on the track "Gypsy"). England's Oi Va Voi have fashioned a fabulous end-of-the-evening, let's-watch-the-sun-come-up record.
Solomon & Socalled's HipHopKhasene is the brainchild of Sophie Solomon, the
violin player for Oi Va Voi, and beats-crafter Socalled. This is deconstructed, refashioned Jewish wedding music, and one of the more interesting concept albums I have heard in quite some time. We are treated to all parts of the ceremony, and all sorts of samples from Jewish recordings from times past (including a snippet from "When You're In Love, The Whole World Is Jewish," pure borscht belt humor that I heard when I was growing up). Glasses are smashed; voices are looped (Pelt me with rice! Pelt me with rice!); and the party gets underway (Freylekhs!) with great klezmer musicians along for the ride, including Frank London and David Krakauer. What makes HipHopKhasene fascinating is that it is laced with commentary, some humorous, some acerbic. Solomon and Socalled make it clear that amidst all the joy of the wedding ceremony, there is also great sadness. The deep meaning of the wedding contract is also explained. My one complaint would be that the main rap of the CD, which tosses off marriage as a "fucked-up institution" and a place to "buffet it up," is overused and repeated endlessly on the Smadj remix track. HipHopKhasene is so inventive in places that I expected more than just one rap, but no matter. To hear the combination of cantors and Yiddish and English and hip hop beats on this record is sure to leave a huge grin on your face. At
the next wedding I attend I'll be thinking "Your mother and father would have
been so proud/So shout your damn vows out loud!" and have Solomon
and Socalled to thank. - Lee Blackstone 04/04/04
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